<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>Anti-Patterns on MayaLucIA</title>
    <link>https://mayalucia.dev/tags/anti-patterns/</link>
    <description>Recent content in Anti-Patterns on MayaLucIA</description>
    <generator>Hugo -- 0.156.0</generator>
    <language>en-us</language>
    <lastBuildDate>Tue, 17 Mar 2026 00:00:00 +0100</lastBuildDate>
    <atom:link href="https://mayalucia.dev/tags/anti-patterns/index.xml" rel="self" type="application/rss+xml" />
    <item>
      <title>Digital Anti-Patterns</title>
      <link>https://mayalucia.dev/surveys/high-asia-art/digital-anti-patterns/</link>
      <pubDate>Tue, 17 Mar 2026 00:00:00 +0100</pubDate>
      <guid>https://mayalucia.dev/surveys/high-asia-art/digital-anti-patterns/</guid>
      <description>&lt;p&gt;&lt;em&gt;A catalogue of cliches cross-referenced with the colonial gaze&lt;/em&gt;&lt;/p&gt;
&lt;h2 id=&#34;purpose&#34;&gt;Purpose&lt;/h2&gt;
&lt;p&gt;This document catalogues the specific anti-patterns that the himalaya-darshan frontend must refuse, drawing from C5 (digital cliches) and cross-referencing with B1 (colonial survey art). Each anti-pattern is named, diagnosed, and contrasted with the traditional knowledge that exposes it. This feeds the frontend-design skill.&lt;/p&gt;
&lt;p&gt;C5 names the anti-patterns. B1 explains their genealogy. This document connects them.&lt;/p&gt;
&lt;h2 id=&#34;the-colonial-digital-continuity&#34;&gt;The Colonial-Digital Continuity&lt;/h2&gt;
&lt;p&gt;The default digital mountain is not a neutral image. It is the latest expression of a visual ideology that began with the colonial survey and has been amplified by the stock-photography industry, the Instagram algorithm, and the Google Earth interface.&lt;/p&gt;</description>
    </item>
  </channel>
</rss>
