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    <title>Thangka on MayaLucIA</title>
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      <title>Thangka Painting</title>
      <link>https://mayalucia.dev/surveys/high-asia-art/thangka/</link>
      <pubDate>Tue, 17 Mar 2026 00:00:00 +0100</pubDate>
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      <description>&lt;p&gt;&lt;em&gt;The scroll painting tradition of Tibet, Nepal, and the trans-Himalaya&lt;/em&gt;&lt;/p&gt;
&lt;h2 id=&#34;overview&#34;&gt;Overview&lt;/h2&gt;
&lt;p&gt;Imagine a cloth painting, roughly the size of a window or a small door, mounted in a frame of coloured silk brocade. The fabric is cotton &amp;ndash; sometimes silk &amp;ndash; and it has been sized with a thin coat of animal-skin glue and chalk so that the surface is smooth, almost like paper, with a faint tooth that holds pigment. On this prepared ground, an artist has drawn, in fine ink lines, a divine figure: a Buddha, a bodhisattva, a wrathful protector, a great teacher. The figure is then filled with colour &amp;ndash; not watercolour washes but layered applications of ground mineral pigments, dense and opaque, built up like thin plaster. Gold &amp;ndash; real gold, powdered or leafed &amp;ndash; covers the skin of Buddhas, the halos of saints, the fine decorative lines that trace jewellery, lotus petals, and flame aureoles. The result glows. It has a material presence that reproduction cannot capture: the blue is the blue of crushed stone, the red is the red of cinnabar ore, and the gold catches light differently at every angle.&lt;/p&gt;</description>
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